One prompt → a whole animated episode. Not a six‑second clip you have to stitch together — the full thing. Characters, voices, scenes, story, render — shipped.
Solo creators are running whole animated shows from a laptop — recurring characters, weekly episodes, six‑figure ad splits. It's a new format, and the seats aren't taken yet.
“Your show. Your characters. Your audience. Your money.”
— the actual pitch
There's one chat window. You describe the episode you want. An autonomous agent runs every stage of a real production pipeline behind it — and pings you whenever it needs a call.
Every stage is a real, openable artifact — not a black box. Watch the agent work, jump in anywhere, sample voices, tweak frames.
The agent forms a take on the episode — themes, plot, setting — pulls real-world and Pinterest‑style references, then drafts the screenplay scene by scene.
A late-night noir series. One pirate frequency. One DJ named Astro. The ghosts on the other end of the line.
Shinjuku side-alley, 3AM. A 3-block strip of neon-lit pirate-radio offices, payphones, ramen counters. Light rain. Pink VU meters on every wall.
Pink VU meter pulses on the wall. ASTRO leans into the mic, half-lit.
You’re listening to the only frequency that still tells the truth at this hour.
Rain on chrome. A red callsign blinks on the receiver cradle. A gloved hand picks it up.
Astro. We need to talk about the broadcast.
You’ve been waiting all night, haven’t you?
Astro stares at the dead-air light. A name flashes on the console. He smiles.
Welcome back to Midnight Radio.
Design the cast once. The agent locks each character's reference frames and a voice you can sample with one tap — reused across every episode.
Each shot generated as a still frame with a caption and camera direction. Approve, redraw, reorder — before you spend a single render credit.
Watch the storyboard play as a slideshow with the final audio on top. If the pacing's right, hit render — only then do the expensive frames get made.
Every stage saves a real, openable artifact — a script, a character sheet, a storyboard, a render. Open them, edit them, export them. The project lives in a familiar file browser so you can see exactly what the agent built and where.
Email hello@aimix.ai — we answer same-day.
Most tools generate a single clip. AI Mix runs the whole production pipeline — research, script, cast, voices, storyboard, animatic, render — and ships a full episode you can publish as-is.
You chat. It works. The agent runs every stage in the background, posts checkpoints, and pings you when it needs a creative call (voice pick, character look, redraw). You stay in the chat window the whole time.
Yes — that's the whole point. The cast is designed once, reference frames + voice locked, and reused on every episode. Your channel becomes a real show with recurring characters, not a feed of one-offs.
Final video renders are expensive. The animatic preview plays your storyboard as stills with the final audio cut on top, so you can catch pacing or continuity issues before committing the credits.
A 60-second episode with two characters takes 6–10 minutes end-to-end. You only commit to the expensive final render once you've approved the animatic — so misfires cost minutes, not credits.
Yes — you own everything you generate, commercial use included. We don't train on your prompts, characters, scripts or output. Export the project files anytime.
The seats at the top of this format aren't taken yet. Episode one is free.